Showing posts with label natural dyes. Show all posts
Showing posts with label natural dyes. Show all posts

Saturday, 4 April 2009

Afghan Ziegler Chobi Carpets Explore Subtler Styles

HANOVER, April 3, 2009 -- Ever since Afghan refugees in Pakistan began having success in the late 1980s with their modified Ziegler designs (left), they've been mercilessly imitated by other producers.

Nowhere is that clearer than at trade fairs such as this year's Domotex in Hanover, Germany (January 17-20). The halls of the fairground were filled with Zieglers, familiarly called Chobis, but only a portion of them were made by Afghans.

Small wonder, then, that Afghan weavers -- whether they remain in Pakistan or have returned to Afghanistan -- keep searching for something new. And increasingly, where they are going is in the direction of subtler, small-scale floral designs that look very different from the Chobi's previous bold patterns.

Colors, too, are changing. After starting out with simple contrasts of burgundy and white, and then experimenting with darker shades including browns, blacks and gold, the Afghan designers now are exploring an ever broader spectrum of hues.

The only thing not changing is the Chobi's original and still greatest strength: soft vegetal dyes. Indeed, it is from the Turkmen word for wood -- one of the main dye sources -- that the name "Chobi" derives.

Here is one of the new Ziegler designs shown by Afghan weavers at the Domotex show. It made it to the semi-finals in the awards competition for Best Traditional or Nomadic Design under 150 euros/square meter.

The judge's positive appraisal augers well for the future success of the new Ziegler designs. At the same time, it shows how self-confidently Afghanistan's commercial carpet industry is returning to the world stage after decades of disruptions.

The carpet is made by Kabul-based Hali Weavers, which calls it 'Mahal," or Palace. It is 3.6 meters x 2.6 meters, with 300 knots per square inch, and was woven by Oraz Geldi, a master weaver in Aqcha, northern Afghanistan.

Aqcha, like the other carpet centers of Andkhoy and Shibergan, is in the heart of the Ersari Turkmen belt, a famous weaving area for generations. In recent years, thousands of Turkmen weavers who fled as refugees to Pakistan during the Soviet-Afghan war and the subsequent civil wars and Taliban era, have returned to the region.

As they come, they have brought back the Chobi techniques pioneered in the Pakistani refuge camps and turned the northern Afghanistan into a major center for Chobi production. (See: In Afghanistan's Turkmen Rug Belt, It's Tradition vs. Globalization).

All this has helped make Afghanistan's carpet industry boom. By some estimates, carpets now account for a full 60 percent of the country's exports (not including illegal opium poppies). They are followed by dried fruit, fresh fruits, leather, marble and other stones.

But carpet producers say the industry still is far from being as big a revenue earner for Afghanistan as it could be. The vast majority of carpets still go to market via Pakistan, where they are marked 'Made in Pakistan' and where a large portion of the profits are siphoned off by brokers and shippers.

Raaz Hassan, an owner of Hali Weavers, is one of some 40 Afghanistan-based producers who came to the Domotex show. The delegation was sponsored by USAID, which is investing in helping the domestic industry make market contacts abroad.

What is needed to make Afghanistan a carpet powerhouse in its own right again? Hassan has two recommendations.

First, he says, the Afghan government needs to negotiate with more international air freight carriers to fly directly to Kabul. Currently, the state airline Ariana carries carpets at 60 cents per kilogram -- half the usual private cargo rate -- to Dubai. But its capacity is limited.

Second, he says, the government should introduce a rebate system like that used in Pakistan to financially reward producers for each carpet they export. He notes that in 1990 the Pakistani rebate was 18 percent and that helped boost export production so much that the government has been able to draw the rebate down to almost zero today.

"Pakistan grew its carpet industry into a major hard currency maker for the country," Hassan says. "But our government does not understand that logic."

He says Kabul almost ignores its export sector as officials concentrate on taxing imports at a rate of 5 to 20 percent instead. "They are content to collect the low-hanging fruit," he observes.

Meanwhile, Hassan estimates that 95 percent of Afghan weaving goes out to the world through Karachi or, more recently, Iran's port of Bandar Abbas. Not a happy situation but also, perhaps, not a permanent one.

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Related Links:

An Analysis of Business Opportunities in Afghanistan's Carpet Sector, 2007

Afghan Mark: Carpets Made By Afghan Women's Consortia

Hali Weavers

Friday, 2 May 2008

Natural Dyes Return To Oriental Carpets But Without The Famous Insect Reds

CHAHARMAHAL District, Iran; May 2, 2008 – When Iranian photographer Javid Tafazoli was walking through a weaving village in the mountains of Chaharmahal va Bakhtiyari province, far to the west of Isfahan, he saw an arresting sight.

It was a cascade of recently dyed red wool hanging from a tree. In a world grown used to garish colors, the mellow brick-red shades looked like a startlingly natural part of the landscape. He snapped the picture and entitled it simply “Red.”



The same picture could be taken in many villages in Iran today, where weavers are increasingly returning to using natural dyes. They hope that going back to traditional materials will raise the quality of rugs and the value people put on them.

But if there is a new desire to derive red from age-old sources such as the root of the Madder plant, which gives hues ranging from pink to rose to scarlet, another ancient group of reds seems certain not to return. They are the once famous insect reds.

For centuries, dyers dried and powdered insects to produce colors ranging from pink-lilac through bright crimson to deep-brown-purple. In many areas where the dyes could not be produced locally, they were prized imports.

The first insect dye to be traded in large commercial quantities was Indian lac, derived from the Caccus lacca bug. The insect, which feeds on ficus trees in India, was also a source for lacquer and shellac used on furniture.

The fame of Indian lac grew so great that it was exported over huge distances. In their authoritative book ‘Oriental Carpets,’ Murray L. Eiland and Murray Eiland III say the dyes have been detected in Safavid and Ottoman court carpets as well as on 19th century Turkmen rugs. That is despite the fact that madder was the standard and abundant source for red from Turkey to Central Asia.

Later, lac gave way to still higher quality reds obtained from the Indian’s bug’s distant cousin, the South American cochineal. The cochineal reds -- traded in the Aztec and Mayan empires and still used in Mexico and Peru (below) -- were discovered by Spanish conquistadors in 1519.



The Europeans considered cochineal to be the perfect red dye because it is stable, easily absorbed by fabrics, and extremely resistant to fading.

The brilliant red comes from the carminic acid in the body of the female cochineal larva, which also makes the bug unpalatable to predators. The Spanish bred the bugs for size and color and created huge ranches of cactus – the bugs’ favorite home. To produce a kilogram of the dye required some 155,000 dried insects and, by 1770, at the peak of the trade, Mexico was exporting some half a million kilos a year.

The global business in cochineal dyes is documented in the 2005 book ‘A Perfect Red: Empire, Espionage, and the Quest for the Color of Desire’ by Amy Butler Greenfield.

Eventually, the Spanish expanded cultivation of the bugs to the Canary Islands and North Africa. But the lucrative business finally came to an end with the invention of chemical dyes in northern Europe in the mid 19th century. Within decades, cochineal red, along with madder, virtually disappeared from use under a tide of synthetic replacements.

Now, in a world saturated with artificial colors, natural dyes are slowly making a comeback. But, in a strange twist for the carpet industry, the once so abundant and highly sought cochineal dyes remain forgotten. The reason is economics.

After they were swept from the textile industry by synthetic dyes, cochineal reds – also known as carmine – found a new and more profitable place in the cosmetics and food coloring industries. Today carmine is a high-priced specialty dye that puts the red in red pistachio nuts, maraschino cherries and Italian aperitifs. Its advantage over man-made red dyes is that it is not toxic or carcinogenic.

That means that making a rug with cochineal dyes today would cost a fortune. The giant cactus farms in Mexico may still exist and the dyes may still be exported, but carpets with insect reds belong to the past.

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Related Links:

Wikipedia: Cochineal

A Perfect Red: Empire, Espionage, and the Quest for the Color of Desire, by Amy Butler Greenfield.

Book: The Red Dyes: Cochineal, Madder And Murex Purple: A World Tour of Textile Dying by Gosta Sandberg

Javid Tafazoli: Photographs