Thursday, 28 August 2008

Brussels Celebrates Savonnerie Carpets With 700,000 Begonias

BRUSSELS, August 29, 2008 – Every summer, Brussels weaves a giant carpet of begonia blooms that covers almost the entire Grande Place.

The flower carpet does not last long: just three days and four nights. And the amount of work is immense, with hundreds of volunteers arranging some 700,000 begonias (knot count of 300 flowers per square meter) into a meticulously planned pattern.

Still, Brussels considers the effort worthwhile.

The annual event, which began in 1971, reminds the world that Belgium is the world’s biggest producer of begonias -- exporting about 48 million bulbs a year.

Plus, the flower carpet reminds everyone that Belgium also is one of the world’s largest makers and exporters of carpets -- machine-made.

This year, the floral design (above) honored France’s Savonnerie carpets. Doing so, it recalled the days when European weavers first “Occidentalized” oriental rugs on a commercial scale, setting the stage for today’s immensely successful Western rug industry.

Savonnerie carpets were first produced in the early 1600s and combined Eastern pile-rug weaving with French Baroque designs. The success of the patterns – whose motifs include flower bouquets, fleur-de-lys, fruits, and acanthus leaves – was so great that it swung European taste away from oriental rugs for two centuries.

Here is a Baroque carpet in the kind of typical French interior design that defined Western standards of elegance at the time.

Just how Europe developed its own handwoven carpet industry is a fascinating story with two parts.

The first is the deliberate effort by French kings to monopolize the luxury carpet market in Europe, which was previously supplied from the East.

The second is the coincidence of this effort with a sudden feeling of Western cultural superiority as Europe’s kingdoms first became world powers.

Some steps along the way:

* King Henri IV (1533 – 1610) decides to revive France’s luxury goods industry, which was decimated in France’s wars of religion. He provides leading artisans, including weavers, with workshops in the Louvre.

** Weaving master Pierre DuPont establishes the style that will become famous as “Savonnerie.” The name is taken from the Paris soap factory which becomes the location of a major carpet workshop in 1644.

*** European forces defeat the Ottoman army besieging Vienna in 1683. The victory convinces High Renaissance Europe of its cultural supremacy over its Eastern rivals.

**** King Louis XIV bans the import of oriental carpets into France, protecting French production and ending the huge outflow of revenues to buy luxury goods from the East.

Europe’s handwoven carpets had many variations, including Savonnerie and Aubusson in France and, later, Axminster and Wilton in Britain.

Here is a 19th century Aubusson carpet from France. The carpet is available to collectors from the Nazmiyal Collection in New York.

Such carpets were commissioned only by courts and by the very wealthy. Their patterns proved adaptable enough to be a centerpiece of furnishing from the Baroque and Neoclassical periods into the Napoleonic era.

It was Napoleon, in fact, who gave the Savonnerie factory its last great royal support. Beginning in 1805, he commissioned carpets in the Empire style that defined his age.

The Savonnerie’s story finally ends in 1825 when the manufactory was incorporated with another weaving workshop, the Gobelins, which was famous for tapestries. By this time, the passion for European handwoven carpets had faded under a new set of social circumstances.

Among them was colonialism. As Europeans expanded across the globe, they came again into direct contact with oriental artwork and renewed their interest in it. By the mid-1850’s imports of oriental rugs were booming, along with Orientalism in general.

But perhaps still more fateful for the European hand-knotted carpet industry was the invention of the steam-powered loom in 1785. Carpet producers quickly discovered they could earn much more with mass production for the expanding middle class than they could with artisinal production for just the very rich. Within 50 years, the great names in European handwoven rugs disappeared or became associated with machine-made carpets instead.

Today, one can still buy Savonnerie carpets but they are reproductions hand-made in China. And one can still buy Axminister carpets, but they are machine-made in England (as pictured here).

Does all this make Brussels' Savonnerie flower carpet a bittersweet souvenir of Europe’s rug-making industry?

Champions of hand-knotted carpets might say ‘yes’ if it reminds them too much of a glorious past gone forever.

But one can also argue that history must take its course and that the way Savonnerie carpets evolved into today’s multi-billion dollar machine-made carpet industry is as amazing as any other aspect of the rug trade.

If so, the Savonnerie which bloomed in Brussels' Grande Place this year from August 15 to 17 is a perfect symbol for Europe’s carpet world.



Related Links:

YouTube: Brussels Flower Carpet 2008 - Savonnerie

Brussels Flower Carpet: official website

Wikipedia: Savonnerie

Early Axminster Carpets, by Brenda Rose

Renaissance Carpets and Tapestries Company

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