Showing posts with label central asian felt carpets. Show all posts
Showing posts with label central asian felt carpets. Show all posts

Saturday, 27 February 2010

The World's Oldest Carpet Story: The Pazyryk

PAZYRYK, Siberia; Feb. 28, 2010 -- Every carpet tells a story. But few tell one as fascinating as the oldest intact carpet ever found.

It is the Pazyryk carpet, discovered frozen in a tomb beneath the Siberian steppe.

The carpet was woven sometime in the 5th century BC and recovered almost 2,500 years later when, in 1949, Russian scientists opened one of many burial mounds in the Pazyryk valley, in the Altai mountains south of Novosibirsk.

Because the tombs, where Russia borders with China, Kazakhstan and Mongolia, were dug deep into the permafrost and covered with piles of timber and stone, the carpet and the mummified bodies of the nobles it accompanied emerged in a remarkably well preserved state.

Here is a picture of one corner of the carpet, which is now in the Hermitage Museum in St. Petersburg. The picture at the top of the page is a detail of one of the carpet’s horsemen.

The century during which the carpet was put in the tomb is best known in the West for what was happening in ancient Greece at the time.

The 5th century was the time of the Greek-Persian wars, of Herodotus completing his “History,” of the construction of the Parthenon, of Sophocles writing ‘”Antigone,” and, finally, of the ruinous Peleponnesian war between Athens and Sparta.

But the story the carpet tells is a very different one from that of the ancient Greeks.

It tells the story of the Scythians, a partly settled, partly nomadic people whose home was the vast expanse of Eurasia north of Greece, Mesopotamia, Persia and China.

This is a picture of a Scythian horseman, made with an appliqué felt technique. It is from a wall hanging found along with the carpet in the Pazyryk tombs.

The domain of the Scythians, who were Persian speakers and a fiercely independent part of the Greater Persian world, extended from modern Bulgaria, through Ukraine and Central Asia, to close to today’s Chinese border.

The basis of their power, and their trading wealth, was the huge herds of horses they raised. They are among the first peoples to be mentioned as mounted warriors and their mobility made them almost impossible to conquer.

At the same time, they were a conduit for trade along the Silk Roads, which carried goods between Persia, India, and China.

But if the horse-herding Scythians were mobile, they also were able to maintain the kind of rich court culture one usually associates only with city dwellers.

They were able to due so thanks to their use of carriages like this one, which was found disassembled in the Pazyryk tombs.

Their carriages enabled them not just to easily move their tents and other necessities, but also carry along stores of luxury goods, some which they imported and others they produced themselves.

One of the things the Scythians are best remembered for today is their intricate gold jewelry, which regularly tours the world in museum exhibits.

The other thing they are best remembered for is the size of their royal burial mounds, known as kurgans, which sometimes could reach over 20 meters high. Inside, as in the Egyptian pyramids, nobles were buried with their treasure for use in the afterlife.

This map roughly shows the extent of the Scythian lands at the time of the Roman Empire.

The other great nomadic people of northern Eurasia at this time, located farther east, were the Turkic-speaking tribes.

Later the Turkic-speaking nomads would sweep west in a centuries-long confrontation with the Persian speakers that would be chronicled in classical Persia’s epic poems.

Still, if much is known today about the Scythians due to their mention in ancient histories and the excavation of their burial mounds, very little is known about their carpets and carpet culture.

The only certainty is that their carpets included both pile rugs (the only example of which is the Pazyryk) and felt rugs.

Here is a close-up of a felt saddle blanket found in the Pazyryk tombs.

Both the pile and felt work show a level of technical sophistication that makes it clear they belong to a very old artistic tradition.

But whether that tradition was the Scythians’ own or was borrowed from neighbors is impossible to know for sure.

Most carpet scholars believe the Pazyryk pile carpet could not have been woven in a nomadic setting in such a remote corner of the Siberian steppe.

Murray Eiland Jr. and Murray Eiland III note in their book 'Oriental Carpets' (1998) that the carpet "raises the question as to how pastoral nomads could have acquired such a technically proficient work of art."

They answer that "it could have been through trade, as some Chinese silk fabrics were found at Pazyryk and other early nomadic burials on the steppes."

Theories of the carpet's origin generally assume it was woven in either a major population center of Achaemenid Persia or perhaps an outpost of the Persian Empire nearer to Pazyryk itself.

If the carpet were made in Persia, that would make it not only the earliest intact carpet ever found but also a striking example of the early carpet trade.

With its motifs of horsemen and deer, it may have been expressly designed for export to the steppes. Or, it might have been specifically commissioned by a Scythian chief.

Here is a saddle found in the Pazyryk tombs, showing the same kinds of tassels that can be seen on the saddles depicted in the carpet.

The mystery of the Pazyryk carpet's exact origin may never be solved. And perhaps it does not need to be, because the Pazyryk itself makes a still more important point.

That is, that carpets, whether woven at home or imported from afar, seem to be a universal human interest as old as time.

How did the Scythians use their rugs which – judging by their inclusion in a royal burial tomb – were clearly prized possessions?

The answer must be left to the imagination.

One possibility is that the carpets were at the center stage of decorating schemes that also included elaborate furniture like this table, also found in the Pazyryk tombs.

Perhaps the lion motifs of the table combined with the motifs of both natural and fantastic creatures on the carpets to fill Scythian tents with the echoes of the things their culture most prized.

The Pazyryk carpet alone includes horses, griffins, and deer. Its size is 180 x 198 cm (5'11" x 6' 6").

Today, the Pazyryk carpet is regularly reproduced by modern carpet weavers who find its design still has a magical appeal.

This high-quality replica is produced by weavers working in northern Afghanistan using natural dyes and handspun wool. It is available from Nomad Rugs in San Francisco.

It is interesting to think of the Pazyryk carpet, placed in a royal tent, as the world’s earliest known example of a room with a rug.

And it is even more fascinating to think that this earliest known example is so stunning in its beauty that it can equally express all the pleasure and excitement people have taken in furnishing their rooms with rugs ever since.

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Friday, 25 April 2008

Central Asian Kyrgyz Felt Carpets Search For A Role In The Modern World

BISHKEK, April 25, 2008 – When one imagines the vast steppes of Central Asia, yurts and felt carpets come quickly to mind.

It is from sheets of plain white felt that yurts are built, and it is with colorfully patterned felt that they are decorated inside. The result is a warm and cheerful shelter that served Central Asia’s nomads well for thousands of years.

If you drive along Kyrgyzstan's endless chains of Celestial Mountains (Ala-too in Kyrgyz), you will indeed spot yurts dotting the slopes with flocks of sheep nearby in an idyllic picture of nomadic life.

But, it can be a little disappointing for felt enthusiasts to arrive in modern Bishkek and hardly find a yurt, or even a felt, in sight.

In Kyrgyzstan’s capital city -- population about one million -- yurts today are only set up in the garden of someone’s home when a family member dies. The lady of the house faces the inner wall of the tent each time mourners approach the house and start a dirge. Female newcomers join her in lamenting, while men remain standing outside, facing the wall of the yurt and wailing.

Even in the marketplaces it is hard to find nomadic felt carpets. The carpets for sale are machine-woven imitations of sophisticated Turkmen and Iranian pile carpets.

Janyl Chytyrbaeva, a Kyrgyz journalist, explains why. “Everyone wants a house like you see on TV,” she says. The machine-made carpets from artificial fiber are given as gifts at weddings and funerals and most people’s apartments and houses are covered with them.

Does this mean that felt has disappeared from Kyrgyz life? No. But like so many traditional handicrafts elsewhere, it is endangered and its only protectors are female artisans from poor rural area and artists.



Chytyrbaeva, who herself stitched her own felt dowry rugs as a teenager, says the only place to find it in use in Bishkek is where the poorest migrants from the countryside have settled on the outskirts of the city. There, they cover the floors with plain yet colorful felt mats or with patterned Ala-Kiyiz, which are made by rolling colored felt into a plain felt background. More highly patterned carpets, Shyrdaks (Shirdaks, Shurdoks), are made by sewing together felt of different colors and then stitching them onto a plain felt basecloth.

All these kinds of felt carpets provide warm flooring in a country where the winters are bitterly cold. For additional warmth, laborers’ families will also put sheepskins here and there on top of the felt. Sometimes, pieces of sheepskins with black, brown, or white wool are stitched together to give these mats, too, an interesting shyrdak-like pattern.

Still, if these furnishings seem humble, the ancient felt-working tradition of Kyrgyzstan itself is rich. Skilled felt-makers can produce pieces of effortless sophistication and great art just as readily as ordinary villagers make plain felt floor mats.

Highly complicated Shyrdaks are created by cutting the same design into several sheets of brightly colored felt and then switching and refitting the pieces together like jig-saw puzzles.

The flowing and harmonious patterns, filled with symbolism, complement the unstructured texture of the felt. With additional techniques, including appliqué, more detailed designs become possible.

Kyrgyz felts are gradually gaining a place in the Western market, yet they still remain little known compared to the other great textiles of Central Asia: the red pile rugs of Turkmenistan or the Suzani embroideries of Uzbekistan.

A handful of rug importers are scouring the Kyrgyz countryside for artisans but many more Western businesses seem content with just importing Kyrgyz-made felt slippers and hats or, more recently, stuffed toy animals.

That seems modest for a nomadic culture that in many ways was unique. The Kyrgyz, who live in a mountainous country, migrated up and down their slopes with the seasons while most of their steppe neighbors wandered widely across the plains.

Today, they can date their presence in the mountains to thousands of years ago and have many traditions all their own. That includes the design of the national flag. It is the only one in the world that has at its center a stylized representation of the roof of a traditional yurt.

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Related Links

Kyrgyzstyle Company, Kyrgyzstan

FeltRugs Company, Britain

Shirdak Silkroad Textile Company, Netherlands

Photos of Kyrgyzstan: Jonathan Barth

YouTube: How Nomads Make Felt (Mongolia)